From the opening notes, we are enveloped in sonic folds gauzy and evanescent. Guitars swirl with synths and merge with skittering percussion. Skimming lightly above the surface are the gently sparkling vocals of Kari Jahnsen.
This is Farao. What sets these songs apart from the masses adopting the color-by-number electronica-plus-breathy-vocals approach is Jahnsen’s play with structure — her ability to introduce twists and turns that keep things slightly off kilter.