We Could Stay Gold: 14 Songs for Summer 2014

The sweet languor of summer days pairs perfectly with the mellowness of indie folk. This playlist features some of my favorite new albums from the first half of 2014. Hope you enjoy.

summer mix album art

The sweet languor of summer days pairs perfectly with the mellowness of indie folk. And when the road beckons — when you roll down the window and taste the freedom in the air — those moments call for sunny, glossy indie rock. This playlist includes some of my favorite albums from the first half of 2014. It starts with shades of folk (Americana, folktronica, folk-pop), makes side a excursion into pop and neo-soul, and closes with ebullient, sunshiny rock. Hope you enjoy.

We Could Stay Gold — Summer 2014 Mix
First Aid Kit • Damien Jurado • Sylvan Esso • PHOX • Vandaveer
Lake Street Dive • Conor Oberst • South Rail • Mimicking Birds •  Ha Ha Tonka
Beck • The Rosebuds • Damon Albarn • Hamilton Leithauser

If you like this music, please support the artists by purchasing their albums.
Just click on the track listing to go to the online store.

1. First Aid Kit — “Stay Gold”

The Swedish folk duo’s charming, ambling song may be my theme for summer. It seems so fragile on first listen, but the lilting vocals convey lyrics of surprising heft. To borrow from my favorite Byronic hero: “I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem.”


2. Damien Jurado — “Silver Timothy”

This song has nestled in my subconscious and refuses to leave. It’s a little bossa nova and a little psychedelic, and it makes me feel like I’m floating on a breeze of melodies.


3. Sylvan Esso — “Coffee”

Sylvan Esso is the Durham, North Carolina folk-electro-pop project of Amelia Meath (Mountain Man) and Nick Sanborn (Megafaun). Meath’s voice is warm and weary as she takes us on fast-forward through the seasons, sketching vignettes: Wild winters, warm coffee / mom’s gone, do you love me / Blazing summer, cold coffee / baby’s gone, do you love me? Sanborn provides the electronic texture — the skittering synths, the chimes between verses. There is something different about Sylvan Esso. Something delightful.

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