We Could Stay Gold: 14 Songs for Summer 2014

The sweet languor of summer days pairs perfectly with the mellowness of indie folk. This playlist features some of my favorite new albums from the first half of 2014. Hope you enjoy.

summer mix album art

The sweet languor of summer days pairs perfectly with the mellowness of indie folk. And when the road beckons — when you roll down the window and taste the freedom in the air — those moments call for sunny, glossy indie rock. This playlist includes some of my favorite albums from the first half of 2014. It starts with shades of folk (Americana, folktronica, folk-pop), makes side a excursion into pop and neo-soul, and closes with ebullient, sunshiny rock. Hope you enjoy.

We Could Stay Gold — Summer 2014 Mix
First Aid Kit • Damien Jurado • Sylvan Esso • PHOX • Vandaveer
Lake Street Dive • Conor Oberst • South Rail • Mimicking Birds •  Ha Ha Tonka
Beck • The Rosebuds • Damon Albarn • Hamilton Leithauser

If you like this music, please support the artists by purchasing their albums.
Just click on the track listing to go to the online store.

1. First Aid Kit — “Stay Gold”

The Swedish folk duo’s charming, ambling song may be my theme for summer. It seems so fragile on first listen, but the lilting vocals convey lyrics of surprising heft. To borrow from my favorite Byronic hero: “I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem.”


2. Damien Jurado — “Silver Timothy”

This song has nestled in my subconscious and refuses to leave. It’s a little bossa nova and a little psychedelic, and it makes me feel like I’m floating on a breeze of melodies.


3. Sylvan Esso — “Coffee”

Sylvan Esso is the Durham, North Carolina folk-electro-pop project of Amelia Meath (Mountain Man) and Nick Sanborn (Megafaun). Meath’s voice is warm and weary as she takes us on fast-forward through the seasons, sketching vignettes: Wild winters, warm coffee / mom’s gone, do you love me / Blazing summer, cold coffee / baby’s gone, do you love me? Sanborn provides the electronic texture — the skittering synths, the chimes between verses. There is something different about Sylvan Esso. Something delightful.

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Stone Room Concerts: Vandaveer

V2forblog

Storytelling is a powerful art. It is also an undervalued one, as our attention spans are increasingly trained to max out at 140 characters. Storytelling is one reason I’m drawn to folk music: the murder ballads, the tales from the road (literal and metaphorical), the parables of losing your way on dusty old streets¹ and finding your way when the light cuts through the great storm in the sky.² But to craft songs about love, self-ruin, and betrayal without sounding hackneyed — that takes true talent. And Vandaveer is truly talented.

Vandaveer is the D.C.-by-way-of-Kentucky alt-folk project of Mark Charles Heidinger. Mark plays with a host of other musicians including, most prominently, Rose Guerin. In the band’s stripped-down incarnation, Mark sings and plays guitar while Rose offers up crystalline harmonies that infuse haunting melodies with an angelic purity. In studio and on some tour stops, Vandaveer’s sound is fleshed out with a rotating cast that includes J. Tom Hnatow on pedal steel and banjo and Ben Sollee on cello.

Roseforblog

In trying to describe Vandaveer’s style through folk duo comparisons, I find myself thinking of Johnny Cash & June Carter but with less country and more folk, Shovels & Rope with less twang and more darkness, or maybe the Avett Brothers meets the Indigo Girls.

But these rough comparisons do not capture the way Vandaveer’s music ensnares your senses with delicately intertwined harmonies that are sometimes comforting and other times aching with loneliness. Mark delivers literate rhymes with an ease that belies the angst of the narrator. Even on first listen, the melodies tug on the edges of your memory, as if you’ve heard the song before but can’t quite place it. Vandaveer’s magic is in giving musical form to the shadows of thoughts that lurk in the back alleys of our collective unconscious.

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