The folksy indie rock band is as adept with powerful electric guitar riffs as with pensive bluegrass-tinged harmonies. Earlier this week, they took a moment to chat about life on the road and the inspiration behind their new album, “Lessons.”
07/22/2014 update: Scroll down for photos from Ha Ha Tonka’s July 20, 2014 show in D.C.
Hey Washington — Ha Ha Tonka is playing this Sunday, July 20, at Rock & Roll Hotel (tickets here). When they’re not making music, these guys listen to NPR. Now what’s more D.C. than that? You have to check ’em out.
Ha Ha Tonka’s “Lessons” is a beautifully-crafted reflection on middle age and middle America, on ambition and regret. With evocative harmonies, a dynamic mix of electric and acoustic instrumentation, and lyrics that are smart, honest, and accessible, this is music that is as rousing as it is revelatory.
The Missouri band’s sound can be likened to early Wilco, the Avett Brothers, Old 97s, and Kings of Leon — but the comparisons don’t quite do Ha Ha Tonka justice. The band (named after a Missouri state park) takes driving guitar riffs, bright mandolin, saloon piano, thumping bass and drum, and four-part harmonies, and transmutes these elements into something quite addictive. Lead singer Brian Roberts has a voice that lends itself equally well to raw, anthemic rock and forlorn, confessional ballads. If you appreciate nuanced storytelling through the medium of a Southern rock song, “Lessons” should be on your summer playlist (CDs & vinyl here, digital download here).
Earlier this week, the band answered some questions by e-mail about life on the road and the inspiration behind their latest record.
Q. What was your earliest music memory — do music prodigies start out banging pots and pans on the kitchen floor like the rest of us, or did you go straight to strumming chords?
Brett Anderson (keys, guitar, vocals): Mostly pots and pans at first. Then a conscious effort to play something later. I started playing guitar when I was 13. It devirginized me as a musician.
Q. What was the first record you owned? If you were to name a handful of albums that captured your attention, say at ages 10, 15, 20, and 25 — what would those be?
Brett: I owned a tape of Bruce Springsteen’s Born in the USA. Played it till it wouldn’t play no more. 10 — Michael Jackson’s Thriller. 15 to 25 — everything Pixies.
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