This Could Be Home: Jesse Terry + Suzie Brown & Scot Sax

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Days of rain. Not spring rain, the kind that nourishes new life, but late autumn rain. The kind that seeps into your bones and makes you weary, weary beyond your years, weary of waking up to headlines in which a city name is metonym for all that is fundamentally broken, weary of the emotional output demanded by the holidays, of tallying up mistakes and trying to outrun your own shadow.

The rain tapered to a drizzle mid-day and I laced up for a run. The Reflecting Pool was deserted, the Tidal Basin drew only a few brave tourists. I usually crave these moments of solitude, the grim satisfaction of pushing through the weariness. But that day, the wind whipping through the trees and the staccato of my shoes against wet gravel sounded more stark than soothing.

So I put on some music. Not my normal running playlist of pop and hip-hop, but the music of a singer-songwriter I started listening to a few weeks ago. His name is Jesse Terry. His music is filled with a simple grace, with lyrics that capture beautifully the eternal tug-of-war between head and heart. If you like Josh Ritter, Ryan Adams, or Jackson Browne, give Jesse’s music a try. His soothing voice paired with acoustic guitar is like a gentle sunbeam parting monochrome sky.

Continue reading “This Could Be Home: Jesse Terry + Suzie Brown & Scot Sax”

A storm blowing from Paradise: A night with the Airborne Toxic Event

anna2 blogA Klee painting named Angelus Novus shows an angel looking as though he is about to move away from something he is fixedly contemplating. His eyes are staring, his mouth is open, his wings are spread. This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage upon wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward. This storm is what we call progress. –Walter Benjamin, “On the Concept of History”stage

A spectral bird, its wings outspread, imparts a white glow to the dim stage. The sculptural eagle — a spirit animal of sorts for The Airborne Toxic Event — recalls Klee’s angel, and the music of The Airborne Toxic Event evokes the struggle with the chaos of modern life described by the historian Walter Benjamin. But unlike Benjamin’s angel of history, confronted with the devastation of the past but propelled inexorably into the future, the music of The Airborne Toxic Event encourages us to linger, to rebuild these stunning ruins and piece together the fragments of our compartmentalized lives.

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No guilty pleasures: A chat with Lydia Loveless

Lydia Loveless performs at DC9 on Wednesday, September 24. Get your tickets here. Photos from her DC9 show after the jump.

lydialoveless_bs219promo_horiz_whiteHer voice is like a good whiskey — a warm, tantalizing smoothness followed by a fierce kick that reveals potency and fire. Lydia Loveless delivers punk-inflected and country-infused songs that are a bit Loretta Lynn and a bit Replacements, but ultimately and undeniably her very own brand of swagger and smarts. It’s an addictive combo, and it’s no wonder Rolling Stone named her as one of “10 New Artists You Need to Know.”

Following a tour with the Old 97s this spring, Lydia Loveless is back on the road. Over the weekend, she answered a few questions via e-mail.

Q. I read that “Hurts So Bad” was inspired by a book you read about Elizabeth Taylor and Richard Burton. Are there other stories — from novels, films, poems, etc. — that have found their way into your music?

Yes, Verlaine and Rimbaud for instance. I wouldn’t say anything I write is strictly about one thing, but inspired briefly by things I observe or read and then stretched as far as I can take them.

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Vandaveer at the 9:30 Club

I’m home for a day between week-long trips to Alaska and northern California. (As much as I dream about being Bob Boilen’s lackey, I do love my job.) There’s just enough time to do laundry and post some photos that I took last week. I’ve written volumes about the indie-folk band Vandaveer, so I won’t repeat myself here. Just promise me you’ll give them listen. Fistful of Swoon is sublime and aptly named. (Darker than the swoon of sin. James Joyce. Discuss.)

Click through the slideshow for pics from Vandaveer’s August 9, 2014 show at the 9:30 Club.

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We Could Stay Gold: 14 Songs for Summer 2014

The sweet languor of summer days pairs perfectly with the mellowness of indie folk. This playlist features some of my favorite new albums from the first half of 2014. Hope you enjoy.

summer mix album art

The sweet languor of summer days pairs perfectly with the mellowness of indie folk. And when the road beckons — when you roll down the window and taste the freedom in the air — those moments call for sunny, glossy indie rock. This playlist includes some of my favorite albums from the first half of 2014. It starts with shades of folk (Americana, folktronica, folk-pop), makes side a excursion into pop and neo-soul, and closes with ebullient, sunshiny rock. Hope you enjoy.

We Could Stay Gold — Summer 2014 Mix
First Aid Kit • Damien Jurado • Sylvan Esso • PHOX • Vandaveer
Lake Street Dive • Conor Oberst • South Rail • Mimicking Birds •  Ha Ha Tonka
Beck • The Rosebuds • Damon Albarn • Hamilton Leithauser

If you like this music, please support the artists by purchasing their albums.
Just click on the track listing to go to the online store.

1. First Aid Kit — “Stay Gold”

The Swedish folk duo’s charming, ambling song may be my theme for summer. It seems so fragile on first listen, but the lilting vocals convey lyrics of surprising heft. To borrow from my favorite Byronic hero: “I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem.”


2. Damien Jurado — “Silver Timothy”

This song has nestled in my subconscious and refuses to leave. It’s a little bossa nova and a little psychedelic, and it makes me feel like I’m floating on a breeze of melodies.


3. Sylvan Esso — “Coffee”

Sylvan Esso is the Durham, North Carolina folk-electro-pop project of Amelia Meath (Mountain Man) and Nick Sanborn (Megafaun). Meath’s voice is warm and weary as she takes us on fast-forward through the seasons, sketching vignettes: Wild winters, warm coffee / mom’s gone, do you love me / Blazing summer, cold coffee / baby’s gone, do you love me? Sanborn provides the electronic texture — the skittering synths, the chimes between verses. There is something different about Sylvan Esso. Something delightful.

Continue reading “We Could Stay Gold: 14 Songs for Summer 2014”